Prior to getting into entertainment advertising she spent four years working with independent music supervisor John Bissell where she started as an intern and was eventually promoted to music supervisor. While at Ant Farm she also supervised numerous video game trailers. She worked on several prominent campaigns including Warner’s Where The Wild Things Are (garnering the Golden Trailer Award for Best Music with Arcade Fire), Sony’s Julie and Julia, and Eat Pray Love, (which set Florence and the Machine on the map with the use of Dog Days Are Over) Universal’s It’s Complicated, Paramount’s Iron Man, Star Trek, Transformers 1 and 2 and The Reader for the Weinstein Company.
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Prior to Ignition, Natalie worked for four years as a music supervisor at the Ant Farm trailer house, selecting commercial music and working with composers on score for movie campaigns, building a foundation in dealing with the marketing departments of all of the major film studios. While at Ignition she has been responsible for such high profile campaigns as Martin Scorsese’s Hugo Cabret, Spielberg’s Tin Tin, 2011 Sundance winner Like Crazy, Super 8, Devil’s Double, Another Earth, 30 Minutes or Less, Fright Night, Transformers 3, Battleship, to name a few, as well as multiple primetime television show campaigns, most recently HBO’s Luck.
As well as pitching a huge range of commercial artists, she also works closely with composers, DJs, and remixers to do custom scores (orchestral to dubstep). He often lectures at various colleges, law schools, and music industry seminars nationwide.Ī music supervisor for over 9 years, Natalie Baartz is Music Director at Ignition Creative where she manages the music department and is in charge of all music for all projects. He has served on the National Entertainment Law Initiative Committee for the Recording Academy and is a member of the San Francisco Chapter’s Urban Outreach Committee. Michael is a member of the Music and Recording Industry faculties at San Francisco State University and Diablo Valley College. He has been a columnist for Guitar Player Magazine and Electronic Musician Magazine and is a contributing writer to the book “The Independent Working Musician” by Mary Cosola.
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He possesses that too rare ability to distill complicated issues of entertainment law and convey them in a clear, storyteller language we all can understand.” Michael’s book “The Professional Musician’s Legal Companion” published by Thomson/Hal Leonard is quickly becoming a “must-have” for musicians of all levels of experience and success in the Industry. Says San Francisco Examiner’s Edie Sellers, Aczon is “bright, funny and supremely knowledgeable. As a lawyer, he has represented a variety of clients in virtually every musical genre from unsigned local artists to multi-platinum artists and writers to L.A.
Aczon has practiced entertainment law and personally managed select clients since 1983.
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